(photo: taken from Amazon.com)
Although the Gallery itself had not flourish in sales as it did in visitors, the past teaches one to not make the same mistakes, but make new ones. I personally enjoyed the grandeur of conversation in The Cool School. In a sense the film evoked a care-free, nonchalant emergence of the art scene through constant deliberation of artist and work selection (which artists are chosen for the exhibit), design (how the design of the exhibition was going to look), and audience (who will benefit from the exhibition?). This is something that interests me greatly: the power relationship/interaction between curator and artist; and how they build/ create/ fabricate a piece of history by exhibiting art objects. According to the film, this is also known as 'the art scene.'
I am also interested in the exhibition design that Walter Hopps uses towards the end of the film, where he exhibits Andy Warhol's Campbell Soup prints. The satirical placement of prints on the wall as if they were 'high art' (the kind that are French, Italian, and Spanish) like the "Masters" was the best part in my opinion. Similar to that of other controversial exhibitions such as "Mining the Museum" and "The Enola Gay." Although these exhibitions and Hopp's Andy Warhol Solo Exhibition were saucy and almost disturbing, they were so radically different that it shifted museology paradigm into an interactive and 'think-for-yourself' approach.
(REFER to http://www.pbs.org/independentlens/coolschool/film.html for more information about the film).
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